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“I can’t imagine my life without jewelry,” says Victoire de Castellane, surrounded by glittering pieces from her latest Dior high jewelry collection in the brand’s 57th Street boutique .
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Victoire de Castellane was inspired by the unseen corners in the Palace of . In her sixteen-year reign over Christian Dior’s jewelry wonderland, Victoire de Castellane has invited all manner of exotic twists and turns down the diamond rabbit hole, .
“I can’t imagine my life without jewelry,” says Victoire de Castellane, surrounded by glittering pieces from her latest Dior high jewelry collection in the brand’s 57th Street boutique . In her sixteen-year reign over Christian Dior’s jewelry wonderland, Victoire de Castellane has invited all manner of exotic twists and turns down the diamond rabbit hole, including. As Victoire de Castellane unveils this extraordinary collection, she invites us to step into Christian Dior’s enchanted gardens, where creativity blossoms and nature’s wonders are.
Victoire de Castellane was inspired by the unseen corners in the Palace of Versailles, and translated the secret doors and hidden bedrooms into rings, pendants, and watches that swivel to.
Victoire de Castellane arrived at the House of Dior in 1999 to create a high jewelry department that was missing from Dior’s stable of products. It was a big task to start an entirely new. At Cernobbio’s Villa Erba on Saturday evening, the newly minted chairman and chief executive officer of Dior presented the Les Jardins de la Couture collection created by Victoire de Castellane,.
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Victoire de Castellane has returned to the rose time and again in her two decades-plus role as artistic director of Dior Joaillerie. “I like to imagine the rose from A to Z,” she writes in an email from Paris.
For the new High Jewellery collection, Les Jardins de la Couture, Victoire de Castellane has imagined an encounter between Christian Dior’s two most dearly cherished universes - Couture and Gardens.
In her 28 years as creative director of Dior jewellery, Victoire de Castellane has plumbed Christian Dior’s personal lexicon, transforming the lace, ribbons, fabrics, pleating, draping, silhouettes, and sundry other trappings of couture into gems. Jeweller Victoire de Castellane celebrates two dazzlingly disruptive decades at Dior. Dior’s head of fine jewellery marks 20 years at the maison with 99 fantastical new pieces.
“I can’t imagine my life without jewelry,” says Victoire de Castellane, surrounded by glittering pieces from her latest Dior high jewelry collection in the brand’s 57th Street boutique . In her sixteen-year reign over Christian Dior’s jewelry wonderland, Victoire de Castellane has invited all manner of exotic twists and turns down the diamond rabbit hole, including.
As Victoire de Castellane unveils this extraordinary collection, she invites us to step into Christian Dior’s enchanted gardens, where creativity blossoms and nature’s wonders are. Victoire de Castellane was inspired by the unseen corners in the Palace of Versailles, and translated the secret doors and hidden bedrooms into rings, pendants, and watches that swivel to. Victoire de Castellane arrived at the House of Dior in 1999 to create a high jewelry department that was missing from Dior’s stable of products. It was a big task to start an entirely new.
At Cernobbio’s Villa Erba on Saturday evening, the newly minted chairman and chief executive officer of Dior presented the Les Jardins de la Couture collection created by Victoire de Castellane,. Victoire de Castellane has returned to the rose time and again in her two decades-plus role as artistic director of Dior Joaillerie. “I like to imagine the rose from A to Z,” she writes in an email from Paris.For the new High Jewellery collection, Les Jardins de la Couture, Victoire de Castellane has imagined an encounter between Christian Dior’s two most dearly cherished universes - Couture and Gardens.
In her 28 years as creative director of Dior jewellery, Victoire de Castellane has plumbed Christian Dior’s personal lexicon, transforming the lace, ribbons, fabrics, pleating, draping, silhouettes, and sundry other trappings of couture into gems.
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